If they shot in S-Log2, just search for “S-Log2” in the library to find clips that are still in their flat, ungraded format. You might already know that info - if you don’t, the DP or director does. If you’ve got to get closer than “close enough,” and you need an exact color match, you can search the clip library for the picture profile your footage was shot in. Ungraded clips for the search term “city.” There’s simply no better way to get footage to meet your specific demands than color grading that footage yourself so that it properly blends in with other shots. Much to the surprise of many video editors, you can actually search Shutterstock’s footage library for ungraded clips - and ungraded clips are workflow magic.
21 4K FOG OVERLAYS HOW TO
Here’s where the “easy” part really comes into play when thinking about how to hide stock clips in your edit.
21 4K FOG OVERLAYS PRO
Changing the color of objects in Final Cut Pro X is just as easy.Īs previously mentioned: Stock footage makes things fast, easy, and affordable. Premiere Pro’s “Change to Color” effect makes it a breeze to manipulate footage while seamlessly blending stock clips into your edit. By changing individual colors within your clips, you can make your stock footage meet the demands of any situation. But, we think neon-pink is more on-brand.”Īll is not lost. You’ve nailed the requested vibe with some excellent stock neon-blue vaporwave graphics, so you turn in your edit for feedback. Or, maybe you’re working with a client on a thirty-second spot. So, you find a stock clip of a coffee cup, and it’s perfect - well, except for the color of the coffee cup. There are plenty of reasons why you might need to change the colors in your footage.įor instance, you discover you’re missing a shot of a coffee cup that’s vital to your edit. With that in mind, check out these helpful tips for hiding royalty-free clips in your self-shot footage. Naturally, you’ve got to be able to blend your stock videos into your edit to maintain the visual integrity of your project. Why hire a crew, chase down permits, and pay for travel accommodations just to capture a brief time-lapse sequence of the sun setting behind the Eiffel Tower, when high-quality clips of exactly that are only a couple clicks away? Sure, not every project calls for an expensive shot of an iconic building, but even the simplest of shots aren’t easy to DIY without expensive equipment, a few actors, a two+ person crew, and of course, some camera know-how. Producers and editors turn to stock clips because they’re a fast, easy-to-use, budget-friendly solution, especially with a footage subscription that keeps them at your fingertips for a lower price.
21 4K FOG OVERLAYS TV
Ads, movies, TV shows, web videos - all loaded with stock video that’s hiding in plain sight. Blend royalty-free clips into your self-shot footage, while maintaining the integrity of your project, with these helpful tips.
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